The most expensive lens on this list, the 300mm f/2.8 L lens is one of the best 300mm lens ever made, offering uniformly excellent image quality from corner to corner both wide open at f/2.8 and at smaller apertures. See it On:Ĭanon EF 300mm f/2.8L IS USM II Super Telephoto Lens The bokeh is outstanding on this lens, producing very soft and smooth out of focus areas while keeping your subject tack-sharp. This lens is well constructed and auto-focuses quickly – 135mm is a bit of an unusual focal length for a prime lens, but it’s a good choice for some outdoor sports where a longer telephoto lens ins’t needed and for portraits and travel photography. Perhaps one of the sharpest among Canon’s L lens lineup, the Canon EF 135mm f/2L USM lens is relatively affordable too. The f/1.8 produces beautiful bokeh as well and focuses much quicker, but in a maximum aperture showdown…the f/1.2 is the bokeh champion. At 1/5th the price of the f/1.2, the Canon EF 85mm f/1.8 USM lens is a good option for those who can’t justify the very high price tag of the massive f/1.2 lens.
#Bokeh lens canon professional#
When you want to isolate your subject from the background, the f/1.2 takes its job very seriously, producing world class results that make it a great choice for the professional portrait or travel photographer. It’s a heavy, solid lens that weighs more than 2 pounds, but that weight is worth toting around when you see the results from this lens used at its maximum aperture. The Canon 85mm f/1.2 L II is one of the most legendary of Canon’s lenses. All three lenses will leave you feeling satisfied with your purchase, but if being able to shoot in ultra low light conditions wide open is your goal and your budget can handle it, the Canon EF 50mm f/1.2 L USM Lens is the most impressive option, rendering some of the nicest bokeh around. At a price point more than 10 times cheaper than the f/1.2 lens is the Canon EF 50mm f/1.8 II Lens which feels like a toy, but produces very pleasing sharp results with nice bokeh. It’s also three times as much money as the Canon EF 50mm f/1.4 USM Lens, which produces nice bokeh, but isn’t as sharp at it’s maximum aperture. See it On:Įveryone needs a fast 50mm lens in their bag, but the question you’ve got to ask yourself is - “How much am I willing to spend?” For the absolute pinnacle of performance, the Canon EF 50mm f/1.2 L USM Lens is the reigning champion with sharp results wide open and absolutely smooth bokeh. With a focusing distance of 1 foot, this lens allows you to get up close to your subjects, capturing them in sharp detail while producing a delightfully soft, gently blurred background. See it On:įunctioning as wide angle lens on a full-frame camera and a normal lens on a crop sensor camera, the 35mm f/1.4L lens renders some of the smoothest bokeh you’ll find at this focal length. While not cheap, this lens is perfect for landscape photographers, nature photographers, and travel photographers who want to capture a wide scene with crisp focusing on the subject and the ability to use a very shallow depth of field. Wide angle lenses are typically not known for their bokeh or used wide open most of the time, but this is one wide angle which renders bokeh beautifully! The 24mm f/1.4 L II is quite sharp at all aperture settings, and the maximum aperture of f/1.4 makes it perfect for low-light wide angle shots. Canon EF 24mm f/1.4L II USM Wide Angle Lens We’ve combed through Canon’s lens offerings and have identified some of the best lenses which are capable of producing beautiful bokeh. We know how much some of you love bokeh! If you’re new to the word bokeh, you can learn more about it in our bokeh tip guide.įast lenses are typically the best lenses for bokeh, but what you’re really looking for is a lens that not only renders the background nicely, but also maintains maximum sharpness for your subject.
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